The general concept is the software interpretation of Merzbow's 'Untitled' (Oersted - 1994) as a dynamic wall of sound. The main audio component is reflected by a dynamic, liquid environment of pulsating static. The synchronization between the collective and singular particle motions complement the complexity of the audio's micro-samples. Series of montage and abstracted imagery are mixed in to compliment the strong emotions in the audio.

June 2006